I have a lot of time for Stephen Volk.
He has made some cracking TV — Ghostwatch, and the extremely underrated Afterlife — and I rather enjoyed his film The Awakening.
And he has good form as a prose writer too, with his novella Whistable being one of the most bleakly moving pieces of writing I’ve read recently. At the time I took great delight in describing it as “lovingly crafted, yet fundamentally honest and believable”, a description which I stand by today.
Short stories are one of the loves of my life. They are undoubtedly the path of less glory — nobody ever made their fortune writing tales under 5,000 words long — but there’s a delight to what can be conveyed with a minimum of words.
So when I received (unsolicited) in my inbox an advance review PDF of Stephen’s new short story collection Monsters in the Heart, I jumped at the chance to see how he took to and used the form to elucidate and entertain.