Anyone who thinks politics and art aren’t connected is wrong. That has always been my philosophy — my politics heavily informs my view of the world and thus my writing. It may not always be the “safe” option, but if you really believe in something then you can’t escape that.
So serious praise is due to Andy Cox and co at Interzone. It would have been the easiest thing in the world to ignore the current controversies emerging within science-fiction. They could have breathed not a world, and not run the risk of upsetting some of their readers. It would have been easy.
But it would not have been right. So well done, as I said, for using the editorial to stand up to the forces of hatred and bigotry within our genre. Well done for believing something. I strongly urge you to read it, if not in the magazine then at least here on their website.
It does, however, present rather the challenge for the fiction to rise to.
When you think about it, 250 is a big number. And 250 issues of Interzone is a staggering amount of science-fiction.
For anyone wondering, no I haven’t been reading since issue #1. I came in with issue #222 in May/June 2009. And I can still remember tearing off the plastic wrap in my University halls room, and diving in. Tim Pratt’s “Unexpected Outcomes” was the first story I read, and it blew me away (and you can listen to it for free at Escape Pod now).
But this is a landmark issue, and a real achievement in a climate where we are constantly being told that print publishing is on its way out, to have persisted publishing such a high quality product. I always look forward to holding it my hands — and, yes, to the smell — every two months.
Whilst I can’t speak to the first issue, the story quality has been consistently good since I subscribed. It is the first stop for top-notch SF and fantasy. The fact it’s British is just a matter of pride.