I haven’t been particularly shy or retiring in my frustration at the film industry’s dearth of originality, manifesting more and more in reruns of old stories and properties rather than the investment in new ideas. But since the money this brings in means that it is unlikely we’ll see a sea-change any time soon.
It’s also worth admitting that there are some remakes which are good, and which are worthwhile in and of themselves. Some have even become classics. I’ll elaborate on a few below, but David Cronenberg’s The Fly was a remake of a 1958 film of the same name. So it’s the individual films that are being remade, and the reasons for that remaking, which is the problem. And that always comes down to cash.
So in time-honoured tradition, if we can’t stop it, let’s regulate it. Below I will lay out a few rules, as to when a remake of something is appropriate to be made and stands a reasonable chance, any chance of being a worthwhile venture by film-makers. It goes without saying, this is all my own opinion (but feel free to borrow it, with attribution, if you fancy)