peter tennant

Black Static #40 – A Review


black static #40

A friend of mine recently expressed an interest in short stories. Seeing as it was my introduction to the modern short story, Black Static was the natural choice. And it was this freshly finished issue which I proffered.

Thirty issues have gone by since my first issue , and a lot has changed. But the fiction hasn’t. My first real introduction to the cutting edge of modern horror was through those pages, and every two months the stories still snap with fresh ideas and new names.

The reason for this little spiel is this: you should buy Black Static. You should buy its SF sister magazine Interzone, too. I subscribe, which takes away the pressure of remembering to buy them every two months, and you should consider that too. If you love horror, you’ll love this. If you don’t love horror — well, maybe this will change your mind.

The other purpose of this little introduction is to point out that I don’t currently hold in my hands the current issue — so form an orderly queue to point out corrections please!

Read on..

Black Static #39 – A Review


black static #39

Do you want to know a secret? Writing the introduction to a review is my least favourite part of the whole thing. It’s rare that I won’t know what I think of a film or story, and if I don’t know starting out where I’ll finish up, the very process of writing it tends to steer me towards one.

No, it’s the introduction. The watching the wordcount as I ramble on, wondering if I’ve done so enough that I can just jump onto the meat of the matter. I’m impatient, basically. As a kid it was the oversweet luxury of desert that I craved, and that has never really gone away.

Black Static, as ever, is the best magazine in the horror business. Certainly in the UK. Probably in the world at large. It has been a part of my diet since my student days, lounging in halls on lazy afternoons when I should have been writing essays, getting lost in worlds of darkness and monsters.

I’m not much of a marketing shill, but if you are at all interested in modern horror — or explorations of the human soul — then you could do a lot worse than a subscription to Black Static. I don’t profess to like every story, but I’ve yet to read one from which I haven’t taken something away.

Is that enough of an introduction ? (Yes, that’ll do – Ed)

Read on…

Black Static #34 – A Review


black static 34As with my Interzone review last week, I’m afraid I have missed an issue of Black Static in my reviewing quest. Unforgivable, I know. But I’m back to it this month, and ready to give my thoughts on the stories and non-fiction within.

One thing I will say first, though, is just how striking the artwork is. Black Static usually does showcase some of the very best each and every week,  but to my mind issue #34 is particularly bold. From the electrically chilling cover artwork (by Ben Baldwin), to the images for each if the stories. Joachim Luetke’s deeply chilling KKK-esque image for Sean Logan’s story “The Tower of Babel” is particularly deserving of mention, especially from a name I don’t think I’ve encountered before — and worth checking out.

But anyway, you all came here for the reviews of the stories, didn’t you? So let’s get on with the show!

Read on…