So the Doctor is back. Thank goodness for that.
The previous season, Peter Capaldi’s first in the leading role, was a hit and miss affair, but it did rather end on a high note with Michelle Gomez’s fantastic “Missy” (The Mistress… As in, The Master, but female. Geddit? -Ed) as the perfect villainous counterpoint for Capaldi’s mad Scotsman. One of the finest climaxes, in fact, since the BBC resurrected the series.
This, though, is the difficult second album of the Twelfth Doctor. In some ways a little more hopeful that it might be a little smoother this time around, given that the episodes here have all been specifically written for the Capaldi, rather than Matt Smith’s leftovers.
And, having had a glance down the episode list, it looks to me like the episodes are actually structured as a series of two-part stories. Which, from my perspective, sounds great. What we need from this new Doctor is some exploration of the particular character of this incarnation. And Capaldi is just crying out for a darker, grittier sort of Doctor.